‘Podcast and Chill’ host Mac G
Controversial yet undeniably influential, Mac G has carved out a unique space in South African media through his Podcast and Chill platform. But with that influence has come no shortage of backlash.
Known for pushing boundaries, his unfiltered style has often landed him in hot water with the public, celebrities, and advocacy groups alike.
Here are five moments Mac G was heavily dragged for crossing the line with his comments.
1. Offensive Remarks About Minnie Dlamini
In a recent episode, Mac G speculated on Minnie Dlamini’s breakup with Dr. Brian Monaisa, questioning her ability to “keep a man” and making derogatory insinuations about her hygiene. The comments were widely condemned, with TV channel Moja Love issuing a statement denouncing his misogynistic tone and calling for accountability in the media.
2. Dismissing Tyla’s Vocal Abilities
Following Tyla’s Grammy win and international acclaim, Mac G downplayed her talent by suggesting she “can’t really sing.” The remark was met with criticism, especially from South Africans proud of Tyla’s achievements, viewing his comment as an attempt to undermine a successful woman.
3. Transphobic Comments Leading to Sponsor Withdrawals
In 2021, Mac G and co-host Sol Phenduka made transphobic jokes on their podcast, mocking transgender individuals and using derogatory terms. The episode sparked outrage from the LGBTQ+ community and allies, leading sponsors like Old Mutual and Amstel to sever ties with the show. The hosts later issued a public apology, acknowledging their remarks were “ignorant and offensive”.
4. Slut-Shaming Boity Thulo
During a “smash, marry, or kill” segment on his podcast, Mac G made a derogatory comment about rapper Boity Thulo, stating, “everyone has f***ed Boity.” The remark was widely criticized as misogynistic and disrespectful. Boity responded subtly on social media, maintaining her composure amidst the controversy.
5. Speculative Remarks About Nkosazana Daughter
Mac G speculated about the nature of the professional relationship between singer Nkosazana Daughter and producer Master KG, implying a romantic involvement. Nkosazana Daughter publicly refuted the claims, expressing disappointment over the disrespectful insinuations. Mac G later issued an apology, acknowledging the inappropriateness of his comments.
In conclusion, the podcaster’s candid approach to podcasting has often blurred the line between provocative and offensive.
While some defend his freedom of expression, these instances highlight the importance of accountability and sensitivity in media discourse.
