Big Zulu’s 200 Bars is out
Big Zulu is unapologetic about his statements on the 200 Bars diss track which was released this Friday.
The South African star went for Cassper Nyovest, DJ Tira, Emtee, Nota Baloyi and a few others in the track.
SA Hip Hop Mag did a break down of some of the hot bars in the diss. Let’s take a look at them below:
“Ngiphatha isbhamu esine Camera waphoza umrepha ngiyamshutha”
Big Zulu’s punchline “Ngiphatha isbhamu esine Camera waphoza umrepha ngiyamshutha,” is a sharp and clever metaphor that blends the imagery of violence with the creative process of the music industry. By swapping bullets for camera shots, Big Zulu suggests he’s not out to harm physically but to outshine and expose his competition in the rap game through his art.
“Ziyabuya ki Hip hop no Cassper sekabayi Pastor”
Cassper Nyovest and Big Zulu have often found themselves at odds, largely due to the highly anticipated boxing match between them that never materialized, with many pointing fingers at Cassper for the delays. However, Cassper recently took a surprising turn in his personal life by deciding to devote himself to Jesus Christ. This bold move took many of his peers by surprise, earning him the playful yet respectful nickname “Pastor” or “Bab’ Mfundisi” in jest, as they marvelled at his unexpected spiritual journey.
“Une Chiskop kodwa use Afro kunzima nok’faka iSingle”
Big Zulu’s diss punchline aimed at DJ Tira, “Une Chiskop kodwa use Afro kunzima nok’faka iSingle,” is both humorous and cutting. In this line, Big Zulu plays on DJ Tira’s well-known shaved head (chiskop) while mocking the idea that despite his bald look, he’s metaphorically wearing an “Afro,” suggesting inconsistency or contradiction.
The phrase “kunzima nok’faka iSingle” jabs at DJ Tira’s music, implying that he’s struggling to release a hit single. The punchline cleverly questions Tira’s current relevance in the music scene, blending humour with a biting critique of his musical output.
“The only Tumi othule tuu ulo ongosena volume”
Big Zulu’s diss punchline aimed at Stogie T, “The only Tumi othule tuu ulo ongosena volume,” is a clever play on words that takes a jab at the legacy of Tumi from Tumi and The Volume. In this line, Big Zulu humorously suggests that while Tumi once had a strong presence in the rap game, he’s now silent, with no “volume” left—both musically and in terms of relevance.
The wordplay contrasts Tumi’s former stature with the idea that he’s lost his voice or impact. It’s a witty way of questioning Stogie T’s current influence, implying that the only sound he makes now is silence.
“Soze simbange uZulu noBoy uyazi ubani oBig”
Big Zulu’s diss punchline aimed at Zulu Boy, “Soze simbange uZulu noBoy uyazi ubani oBig,” is a clever play on words that asserts dominance while referencing their names. In this line, Big Zulu dismisses any competition between himself and Zulu Boy by highlighting the distinction between the two.
He implies that there’s no point in competing for the title of “Zulu,” as the name “Boy” automatically places Zulu Boy on a lower level. By stating, “uyazi ubani oBig” (you know who’s big), Big Zulu emphasizes that he is the superior figure, both in stature and reputation, leaving no doubt as to who holds the greater influence in the Zulu and rap culture.
“Ukuba uk’hlanya kuyabhatala ngaba nani sena Nota”
Big Zulu’s diss punchline targeting Nota Baloyi, “Ukuba uk’hlanya kuyabhatala ngaba nani sena Nota,” is a sharp and sarcastic jab. Translated, it suggests that “if being crazy paid well, you and your crew would all be rich like Nota.”
The punchline cleverly highlights Nota’s often controversial and outspoken nature, implying that his erratic behaviour has gained him notoriety, even fame. Big Zulu is essentially calling out Nota’s public persona, sarcastically suggesting that his antics are profitable, but not in a flattering way—painting Nota as someone who thrives off chaos rather than talent. It’s a punchline that cuts deep, mocking both Nota’s character and those who might aspire to his controversial ways.
“Wena idloz liyahlatshelwa wagcina i hit ngo Manando”
Big Zulu implies that Emtee’s career is in a state of decline or overshadowed by past successes. The mention of “Manando” highlights that Emtee’s last notable hit was long ago, with Big Zulu suggesting that Emtee has struggled to find new success since then. This punchline underscores the competitive nature of the rap game, where past glories are often contrasted with current struggles.
